Showing posts with label film theory. Show all posts
Showing posts with label film theory. Show all posts

Tuesday, May 12, 2015

HOW TO ANALYZE FILM

HOW TO ANALYZE FILM:



Sound - Diagetic and Non-Diagetic:
  • Diagetic - actors can hear, sounds in the scene (like a radio playing, dialogue)
  • Non-Diagetic - actors cannot hear (orchestra, voiceover background, music)
Cinematography:

  • Camera Angles 
  • Movement
  • Lighting - amount of light (high key/low key, soft/hard)
  • Colour
Mise en Scene:

  • Costume
  • Props
  • Performance
  • Make up
  • Colour
  • Setting
Editing:
  • Cuts
  • Effects

Monday, May 11, 2015

THE FRENCH NOUVELLE VAGUE

THE FRENCH NOUVELLE VAGUE:

Key points from the article:
  • Vibrant realism
  • Extended shots
  • Handheld footage
  • Naturalistic performances
  • On-location shooting
  • Whip-pans
  • Socio political commentary
  • Ambiguous and unresolved endings
  • New Wave was born in the late 1950s

What features can be found in Happy Together?
  • Natural lighting
  • Naturalistic performances
  • Handheld footage
  • On location shooting

Monday, March 23, 2015

NORTH BY NORTHWEST - ANALYSIS

NORTH BY NORTHWEST - ANALYSIS


What kind of mood do the opening credits establish?
Dramatic and exciting as the music is loud and dramatic

What kind of atmosphere is suggested by the city scenes?
Very busy atmosphere, city life

How does Hitchcock show that Thornhill is at home in the city?
His tone

What kind of film might the audience expect from the opening?  Where might it be set?  What might happen in it?
Mystery-drama
Related to lies
Corruption

Sunday, March 15, 2015

AUTEUR THEORY

AUTEUR THEORY:


History:
  • Emerged from french film criticism written in the journal Cahiers du Cinema in 1950s
French Auteur Theory:
  • Defined themselves against making films based on film scripts written by literary figures
  • The tradition of quality advocated a conservative style of film making but the new French directors focused on style instead of script
  • They admired directors such as Hitchcock

Hollywood Auteurs:

Auteur - developed:
  • Not exclusively directors but can include script writers, stars and producers
  • They should manifest a consistency of style and them across their films
  • Even a particular  studio or production team can constitute a 'collective auteur'
Hitchcock:
  • Born in London
Certain themes are found in his films:
  • Shared guilt
  • Influence of Catholicism
  • Homophobia and misogyny
There are also regular narrative techniques:
  • Investigation of a murder
  • Suspense
  • The perfect murder
Elements of stylistic unity:
  • Emphasis on editing and montage
  • High number of POV shots
  • Shooting in confined spaces

Wim Wenders:
  • German film maker
Main themes in his films include:
  • Influence of North American Culture


Monday, February 9, 2015

SOVIET MONTAGE

SOVIET MONTAGE:

Sergei Eisenstein
1905 uprising

Battleship Potemkin (1925):
  • Planned as part of a cycle of films about the Revolution (along with Strike and October)
  • Tells about an episode of the 1905 revolt
Sergei Eisenstein:
  • Didactic and always channel an ideological message
  • No hero (well-rounded individual)
  • Masses, classes, types
  • Juxtaposition of unrelated expressive images in a rapid succession

Montage:
  • Creates metaphors
  • Innocence vs Violence
  • Soldiers as depersonalized graphic lines moving forward, citizens of Odessa as individuals (close ups)
Difference in perspective:
  • Soldiers are in control they move downwards
  • Victims perspective is from below

Monday, February 2, 2015

EXPRESSIONISM

EXPRESSIONISM:


Expressionism - The use of images to express psychological realities rather than material realities.

Metropolis:
  • Religious symbols
  • Class/Marxism
  • New technologies - ahead of its time?
  • Rotwang's invention - The Robot
  • Love
  • A vision of the future
  • Silent science film directed by Fritz Lang
  • Produced in Germany
  • Released in 1927 during a stable period of Weimar Republic
  • Most expensive film of its time, it cost approximately 7 million Marks to make

Monday, January 26, 2015

GERMAN EXPRESSIONISM

GERMAN EXPRESSIONISM:

Objective: To explore what influenced German Expressionist film.

  • The monster, usually seen as something outside the self in horror plots, really comes from within
  • The subconscious creates for itself another, a monster, upon which to blame shortcomings

Context - Post First World War Germany:
  • Many Germans felt they had not lost the war but had been cheated and were looking for people to blame:
  • The Kaiser
  • The new Government
  • The Communist
  • The Jews
  • Threat to social order - dissatisfaction with the privileges enjoyed by the armed forces and aristocracy
  • Huge debts due to the cost of the war ($40 Billion - in modern terms $11000 Billion) added to the already struggling economy
  • Food shortages had been so bad that 'Germans ate dogs, crows, zoo animals and rodents'

The Seeds of Evil - The Rise of Hitler:
  • After the war the German government was in turmoil:
  • The Kaiser had abdicated
  • There was no stable government
  • Dissatisfied citizens were open to radicalization
  • Hitler was just one of the extremist who began to gain power and influence over this time
Some notable features of German Expressionist films are:
  • Unexpected camera angles
  • Stark contrast of light and shadow
  • Artificial, stylized sets
  • Overtly theatrical (over the top) acting style
  • Heavy make-up

The Cabinet of Dr. Caligari:
  • Directed by Robert Wiene, 1920
  • Starts the expressionist movement
  • Studio based
  • Used stylized settings, distorted buildings pained onto canvas backdrops
  • Critics announced that expressionism had found its way into cinema